Cinema has always been more than just a form of entertainment for Indians. It represents our culture, socio-political pulse, and the essence that makes India what it is. Among the various themes explored on the silver screen, nationalism stands tall as the most enduring and polarising subject.

From the idealistic patriotism of Mother India to the complex socio-political undercurrents of The Kashmir Files, the depiction of nationalism in Indian cinema walks a thin line between unity and divisiveness. The two sides of the coin force us to question the role of Indian filmmakers in shaping national identity.

A Cinematic Tradition of Patriotism

Indian cinema has long celebrated narratives fronting heroism, sacrifice, and love for the nation. Cult favourites like Shaheed (1965) and Border (1997) built the foundation for a genre deeply immersed in historical and emotional storylines. These films depicted nationalism as an inclusive and collective spirit, emphasising unity in diversity.

However, as the socio-political terrain of India altered, so did the depiction of Indian nationalism in cinema. Filmmakers explored themes that were a bit more nuanced and, sometimes, even controversial. Vivek Agnihotri is one of the most prominent examples of voices that have shaped this new-age genre.

The Agnihotri Approach: Challenging Narratives

Agnihotri’s portfolio is unlike others because of his unflinching approach to contentious issues. His films like The Tashkent Files and The Kashmir Files aren’t afraid to address historical and political events that remain debatable in today’s India. With his upcoming film, The Delhi Files, Agnihotri keeps the ball rolling with a high-intensity dive into another chapter of India’s history. Like his others, this film intends to provoke thought and foster conversations that make us question the system.

His filmmaking style is distinguished by his ability to blend historical authenticity with artistic emancipation. For example, in The Kashmir Files, he not only addressed the plight of Kashmiri Pandits but also created room for national conversations about collective memory and historical accountability of the incidents.

Healthy Patriotism vs. Jingoism

Depicting nationalism in cinema with a delicate approach can evoke pride and unity, but it also battles crossing the line into jingoism if portrayed thoughtlessly. Films like Lagaan (2001) have done it right by using nationalism to highlight themes of resilience and collective unity.

Take The Tashkent Files, for instance. The film’s investigation into Lal Bahadur Shastri’s mysterious death deeply resonated with the viewers, who had the same questions the film asked in its narrative. Similarly, The Kashmir Files presented a point of view many felt had been historically silenced. While his films were applauded for voicing untold stories, critics questioned their potential to escalate social divides.

The Delhi Files: Continuing the Conversation

With The Delhi Files, Agnihotri aims to deliver another intriguing narrative that sheds light on yet another less-discussed chapter of Indian history. Though the plot remains under wraps and we only know that Agnihotri is focusing on the Bengal chapter for the first part of his latest offering, the film’s announcement has sparked anticipation and speculation.

If Agnihotri’s past work is any indication, it will definitely compel the audiences to confront uncomfortable realities and ask questions that haven’t been answered yet.

The Takeaway

Nationalism in Indian cinema is a powerful weapon. When wielded thoughtfully, it can unite, educate, and emancipate. When used irresponsibly, it can divide and alienate.

Vivek Agnihotri’s pieces of work exemplify the duality of hovering at the boundaries, offering both a platform for untold stories while also holding up the mirror to reflect societal flaws. As audiences, it’s our responsibility to engage with such critically-acclaimed films, encouraging their contributions while also remaining mindful of the narratives they promote. Nationalism in Indian cinema, much like the nation itself, thrives on diversity. And we represent this diversity more than no other, ensuring that it continues to shape our country’s ever-evolving story.